The written word has enabled a proliferation of knowledge, communication, and understanding since its induction to human society several thousands of years ago. Before writing, mankind drew pictures, some of which are still evidenced on cave walls around the world. It is pictures that can convey a plethora of complex thoughts in an instant, and Thomas Nast, a nineteenth century political cartoonist, demonstrated the influence that images can have.
Thomas Nast (1840-1902) became a cartoonist for New York's Harper's Weekly in 1859 and retained that position until 1886. Although he briefly attended school, he never proved adept. His skill was in his pen.
His first published drawing for Harper's Weekly involved the corruption of a police scandal and set the tone, purpose, and politics of most of his career.
The many accomplishments of Nast include the popularization of iconic portrayals of the Democratic Party's donkey, Uncle Sam, and Lady Columbia as well as the modern depiction of Santa Claus as a cheery, fat man with reindeer. He is credited with inventing the Republican Party's elephant. His largest impacts on history, however, are through the influence he had on the presidential elections from 1864-1884. Because a large number of Americans could not read, the political drawings enabled voters to stay informed. Nast was instrumental in electing Ulysses S. Grant in the 1868 and 1872 elections, Rutherford B. Hayes in 1876, and he is credited with winning Grover Cleveland the small margin by which he won the presidency in 1884.
Of all of these accomplishments, Nast is perhaps most famed for the take down of William "Boss" M. Tweed and the Tammany Hall Ring of New York City by publishing dozens of images depicting the corruption of the elected officials. Tweed so feared Nast's works that he offered a bribe of $100,000 that increased to $500,000 which Nast refused.
A few years before Nast's popularity, William Tweed was an elected official from 1858-71 and is credited with the establishment of a criminal organization of New York City officials. The Ring was solid, ensured high payments of its constituents on city jobs, and was influential throughout the courts, legislature, treasury, and ballot box. The Tammany Ring consisted of close friends of Tweed and was highly organized and profitable through money laundering for all involved with estimates from $25-200 million stolen from the City of New York.
Tweed's success depended on the power of immigrant Irish voters and the city elite's trust in his keeping this portion of the population controlled. During the Orange Riot of 1871, Irish Catholics attacked a Protestant parade where sixty people were killed. This event weakened his interactions with the city elite, but his downfall came from the newspapers. Nast's images were such a problem that Tweed said, "Stop them pictures. I don't care so much what the papers say about me. My constituents don't know how to read, but they can't help seeing them pictures!" Although investigations had been undertaken prior to the riots, Tweed successfully bought off all accusers. When Tweed's friend and bookkeeper died, the books ended up in the hands of the New York Times which published accusatory findings in July 1871.
In 1873 Tweed was arrested for fraud but escaped in 1875 and fled to Spain. He he was arrested because of his depictions in Nast's drawings.
Thomas Nast and William Tweed both represented the hope of America to the rest of the world: that hard work could bring wealth, success, and recognition. Nast achieved his wealth and fame through excellent artwork, skillful insight, and artistic talent. Tweed gained influence, power, and riches through scheming, corruption, and gangs. Though neither man died well off, Nast remained respected throughout his life while Tweed has become Nast's caricature: the very image of corrupt corporate wealth.
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Agatha Tyche
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